How To Change Paintbrush Size In Illustrator

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brush_appicon_128

Did y'all know you lot tin can employ your iPad or iPhone to design beautiful, high-quality brushes from photos of anything that inspires y'all? Salvage the brushes to your Creative Cloud Library and access them anywhere across Photoshop and Illustrator!

Learn more well-nigh the Adobe Brush CC iPad app in this video.

Download the awesome Adobe Brush CC app from the iTunes app store.

About brushes

Brushes permit you stylize the advent of paths. You can apply brush strokes to existing paths, or yous can apply the Paintbrush tool to draw a path and apply a brush stroke simultaneously.

There are unlike types of brushes in Illustrator: calligraphic, scatter, fine art, pattern, and bristle. You tin can accomplish the following furnishings using these brushes:

Calligraphic brushes

Create strokes that resemble those fatigued with the angled bespeak of a calligraphic pen and are drawn along the center of the path. When yous utilise the Blob Brush tool, you can pigment with a calligraphic castor and automatically expand the brush stroke into a fill shape that merges with other filled objects of the same color that intersect or are adjacent in stacking order.

Scatter brushes

Disperse copies of an object (such as a ladybug or a leaf) along the path.

Fine art brushes

Stretch a brush shape (such equally Rough Charcoal) or object shape evenly along the length of the path.

Bristle castor

Create castor strokes with the appearance of a natural brush with bristles.

Blueprint brushes

Paint a pattern—made of individual tiles—that repeats along the path. Pattern brushes tin can include upwards to 5 tiles, for the sides, inner corner, outer corner, beginning, and end of the pattern.

Brush types

A. Calligraphic BrushB. Scatter BrushC. Art BrushD. Blueprint BrushE. Bristle Brush

Scatter brushes and Pattern brushes can oftentimes achieve the same effect. However, one way in which they differ is that Design brushes follow the path exactly, while Scatter brushes practice not.

Arrows in a Pattern brush curve to follow the path (left), but arrows remain straight in a Scatter brush (correct).

See a video on using brushes.

Brushes panel overview

The Brushes panel (Window > Brushes) displays brushes for the current file. Whenever you select a castor in a brush library, it is automatically added to the Brushes panel. Brushes that you lot create and store in the Brushes panel are associated but with the current file, which means that each Illustrator file can have a different set up of brushes in its Brushes console.

Choose any of the following from the console menu: Bear witness Calligraphic Brushes, Show Scatter Brushes, Show Art Brushes, Evidence Bristle Brushes, Show Design Brushes.

Alter the view of brushes

Choose Thumbnail View or List View from the panel menu.

Modify the order of brushes in the Brushes panel

Elevate a castor to a new location. You can move brushes just within their type. For example, you lot cannot motility a Calligraphic brush to the Scatter brush area.

Duplicate a brush in the Brushes panel

Drag the brush onto the New Brush push or choose Duplicate Castor from the Brushes panel bill of fare.

Delete the brushes from the Brushes panel

Select the brushes and click the Delete Brush button . You can select brushes that aren't used in a certificate by choosing Select All Unused from the Brushes panel menu.

Work with brush libraries

Brush libraries (Window > Castor Libraries > [library]) are collections of preset brushes that come with Illustrator. You can open multiple castor libraries to scan through their contents and select brushes. Yous can also open up brush libraries using the Brushes panel menu.

To automatically open a brush library when you lot start Illustrator, choose Persistent from the castor library'southward panel bill of fare.

Copy brushes from a brush library to the Brushes panel

Drag the brushes to the Brushes panel or choose Add To Brushes from the brush library's panel menu.

Import brushes into the Brushes panel from another file

Choose Window > Brushes Libraries > Other Library and select the file.

In the Brush Library panel, click on the individual castor definition or all the brush definitions that you demand to import and select Add To Brushes from the Castor Library panel bill of fare (flyout menu).

Create new brush libraries

Add the brushes you lot desire to the Brushes panel, and delete any brushes you don't desire.

Choose Relieve Castor Library from the Brushes panel carte, and place the new library file in one of the following folders then that it will announced in the Castor Libraries bill of fare when yous restart Illustrator:

(Windows) User/AppData/Roaming/Adobe/Adobe Illustrator <version number> Settings/Brushes
(Mac Bone) Library/Application Support/Adobe/Adobe Illustrator <version number> Settings/Brushes
Replace <version number> with the following values, depending on the version of Illustrator that you have installed on your arrangement. For more data, run intoReplace Illustrator version number.

If you place the file in a different binder, you can open up the library by choosing Window > Brush Libraries > Other Library and selecting the library file.

Apply brush strokes

Yous can apply brush strokes to a path created with any drawing tool, including the Pen tool, Pencil tool, or bones shape tools.

Select the path, and then select a brush in a brush library, the Brushes console, or the Control panel.
Drag a castor onto the path. If the path already has brush strokes practical to information technology, and so the new brush replaces the old brush.

If you desire to utilise a different brush to the path and want to utilize the brush stroke settings used with the original brush, hold down Alt (Win) or Option (Mac OS) when clicking the new brush you desire to apply.

Draw paths and apply castor strokes simultaneously

Select a brush in a brush library or the Brushes panel.

Select the Paintbrush tool .

Position the pointer where y'all want the brush stroke to begin, and drag to describe a path. A dotted line follows the pointer as you drag.

To depict an open path, release the mouse push button when the path is the desired shape.
To draw a airtight shape, hold downwardly Alt (Windows) or Option (Mac Bone) as you drag. The Paintbrush tool displays a small loop. Release the mouse push (but not the Alt or Option primal) when you are fix to close the shape.

Illustrator sets down anchor points as y'all describe. The number of anchor points is adamant by the length and complexity of the path and by the Paintbrush tolerance settings.

Tip: To suit the shape of a brushed path afterward you finish drawing it, get-go select the path. Then position the Paintbrush tool on the path, and elevate until the path is the desired shape. You can utilize the technique to extend a brushed path as well equally modify the shape of the path betwixt the existing end points.

Double-click the Paintbrush tool to set the following options:

Allegiance

Controls how far yous have to move your mouse or stylus before Illustrator adds a new anchor betoken to the path. For example, a Allegiance value of two.v ways that tool movements of less than two.five pixels aren't registered. Fidelity can range from 0.5 to 20 pixels; the college the value, the smoother and less complex the path.

Smoothness

Controls the corporeality of smoothing that Illustrator applies when you use the tool. Smoothness can range from 0% to 100%; the higher the percent, the smoother the path.

Fill New Castor Strokes

Applies a fill to the path. This choice is most useful when drawing closed paths.

Keep Selected

Determines whether Illustrator keeps the path selected subsequently you draw information technology.

Edit Selected Paths

Determines whether you lot can modify an existing path with the Paintbrush tool.

Within: _ pixels

Determines how close your mouse or stylus must be to an existing path to edit the path with the Paintbrush tool. This option is only available when the Edit Selected Paths option is selected.

Remove brush strokes

In the Brushes console, choose Remove Castor Stroke from the panel menu or click the Remove Brush Stroke button .

You can also remove a brush stroke by selecting the Basic brush from the Brushes panel or Control console.

Catechumen castor strokes to outlines

You can convert brush strokes into outlined paths to edit the individual components of a brushed path.

Choose Object > Aggrandize Appearance.

Illustrator places the components of the expanded path in a group. Within the group are a path and a subgroup containing the brush stoke outlines.

Create or modify brushes

You tin can create and customize calligraphic, besprinkle, art, design, and bristle brushes depending on your requirement. For scatter, art, and pattern brushes, you must first create the artwork.

Follow these guidelines when creating artwork for brushes:

The artwork cannot contain gradients, blends, other castor strokes, mesh objects, bitmap images, graphs, placed files, or masks.
For art and pattern brushes, the artwork cannot contain type. To achieve a brush-stroke event with type, create an outline of the blazon so create a brush with the outline.
For design brushes, create upwards to five pattern tiles (depending on the brush configuration), and add the tiles to the Swatches panel.

You tin can make the brushes you create available for every new document by calculation the brush definition to the New Document Contour. For more data on new document profiles, meet Near new document profiles.

Create a brush

For scatter and art brushes, select the artwork you want to use. For pattern brushes, yous can select the artwork for the side tile, merely it isn't necessary. For detailed guidelines to create pattern brushes, run across Guidelines for amalgam pattern tiles. To know more than most pattern brush options, come across Pattern brush options.

If you do not want to see a seam betwixt the artwork pieces used to create the pattern brush, plow off the Anti-Aliasing selection from Edit > Preferences > General (Windows) or Illustrator > General > Preferences (Mac Os).

Click the New Brush button in the Brushes panel. Alternatively, elevate the selected artwork to the Brushes console.

Select the type of brush you want to create, and click OK.

In the Brush Options dialog box, enter a proper noun for the brush, ready brush options, and click OK.

Alter a brush

To change the options for a brush, double-click the brush in the Brushes panel. Prepare the brush options and click OK. If the electric current document contains brushed paths that use the modified brush, a bulletin appears. Click Apply To Strokes to modify pre-existing strokes. Click Leave Strokes to leave pre-existing strokes unchanged, and apply the modified brush to new strokes only.
To alter the artwork used past a scatter, art, or pattern brush, elevate the brush into your artwork and brand the changes you want. Then Alt‑elevate (Windows) or Option-drag (Mac Os) the modified brush onto the original brush in the Brushes panel.
To change a brushed path without updating the corresponding brush, select the path and click the Options Of Selected Object button in the Brushes panel or select options of selected object from the Brushes panel menu (flyout menu).

Brush options

You lot can specify different options for the unlike types of brushes. To change the options for a brush, double-click the brush in the Brushes panel.

Scatter, Fine art, and Pattern brushes all have identical options for colorization.

To customize a stroke example for Art Brushes or Blueprint Brushes, click the Options of Selected Objects icon in the Brushes Panel and set the stroke options. For fine art brush you lot can fix the stroke width along with flipping, colorization, and overlapping options. For pattern brush, you tin fix the scaling options along with flipping, fitting, and colorization options.

Calligraphic brush options

Angle

Determines the angle of rotation for the brush. Elevate the arrowhead in the preview, or enter a value in the Angle box.

Roundness

Determines roundness of the brush. Drag a black dot in the preview away from or toward the centre, or enter a value in the Roundness box. The higher the value, the greater the roundness.

Diameter

Determines the diameter of the brush. Use the Diameter slider, or enter a value in the Bore box.

The pop‑upward listing to the right of each option lets you control variations in the shape of the castor. Select one of the following options:

Fixed

Creates a brush with a stock-still angle, roundness, or bore.

Random

Creates a brush with random variations in angle, roundness, or diameter. Enter a value in the Variation box to specify the range within which the brush characteristic tin vary. For case, when the Diameter value is 15 and the Variation value is 5, the bore can exist 10, or xx, or any value in between.

Pressure

Creates a castor that varies in angle, roundness, or diameter based on the pressure of a drawing stylus. This option is most useful when used with Diameter. It is available only if you have a graphics tablet. Enter a value in the Variation box to specify how much more or less than the original value the brush feature volition vary. For example, when the Roundness value is 75% and the Variation value is 25%, the lightest stroke is 50% and the heaviest stroke is 100%. The lighter the pressure, the more angular the castor stroke.

Stylus Wheel

Creates a brush that varies in diameter based on manipulation of the stylus wheel. This option is intended to be used with an airbrush pen that has a stylus cycle on its butt and with a graphics tablet that can detect that pen.

Tilt

Creates a castor that varies in angle, roundness, or diameter based on the tilt of a drawing stylus. This option is most useful when used with Roundness. It is available only if yous have a graphics tablet that tin can detect how close to vertical the pen is.

Bearing

Creates a brush that varies in angle, roundness, or bore based on the begetting of the pen. This option is about useful when used to command the bending of calligraphic brushes, particularly when y'all're using the brush like a paintbrush. It is available only if y'all accept a graphics tablet that can notice the direction in which the pen is tilted.

Rotation

Creates a castor that varies in bending, roundness, or bore based on how the drawing stylus pen tip is rotated. This option is nearly useful when used to command the angle of calligraphic brushes, particularly when you're using the brush like a flat pen. It is bachelor only if you take a graphics tablet that can detect this type of rotation.

Colorization options for scatter, art, and pattern brushes

The colors that a scatter, art, or design brush paints depend on the current stroke colour and the colorization method of the brush. To set the colorization method, select one of the following options in the Brush Options dialog box:

None

Displays colors every bit they announced in the brush in the Brushes panel. Cull None to go on a castor the aforementioned colors as in the Brushes panel.

Tints

Displays the castor stroke in tints of the stroke color. Portions of the art that are blackness go the stroke color, portions that aren't black get tints of the stroke color, and white remains white. If yous apply a spot color equally the stroke, Tints generates tints of the spot color. Choose Tints for brushes that are in black and white, or when you want to paint a brush stroke with a spot color.

Tints And Shades

Displays the brush stroke in tints and shades of the stroke color. Tints and Shades maintains black and white, and everything between becomes a blend from black to white through the stroke colour. Because black is added you may not be able to print to a single plate when using Tints and Shades with a spot color. Choose Tints and Shades for brushes that are in grayscale.

Hue Shift

Uses the cardinal color in the brush artwork, equally shown in the Key Colour box. (By default, the primal color is the most prominent color in the art.) Everything in the castor artwork that is the key colour becomes the stroke color. Other colors in the castor artwork become colors related to the stroke colour. Hue Shift maintains blackness, white, and gray. Cull Hue Shift for brushes that utilize multiple colors. To change the key colour, click the Primal Colour eyedropper, move the eyedropper to the preview in the dialog box, and click the color y'all desire to utilise every bit the key color. The colour in the Key Color box changes. Click the eyedropper again to deselect information technology.

For information and samples about each option, click Tips.

Scatter brush options

Size

Controls the size of the objects.

Spacing

Controls the amount of infinite between objects.

Scatter

Controls how closely objects follow the path independently on each side of the path. The higher the value, the further the objects are from the path.

Rotation

Controls the angle of rotation of the objects.

Rotation Relative To

Sets the bending of rotation for scattered objects relative to the page or the path. For example, if you select Page, at 0° of rotation, objects bespeak to the top of the folio. If y'all select Path, at 0° of rotation, objects are tangent to the path.

The popular‑up list to the right of each selection lets you lot command variations in the shape of the brush. Select one of the following options:

Fixed

Creates a brush with a fixed size, spacing, scattering, and rotation.

Random

Creates a brush with random variations in size, spacing, scattering, and rotation. Enter a value in the Variation box to specify the range within which the brush characteristic tin can vary. For example, when the Diameter value is fifteen and the Variation value is 5, the diameter can be x, or xx, or any value in between.

Pressure

Creates a brush that varies in angle, roundness, or diameter based on the force per unit area of a drawing stylus. This choice is bachelor simply if you have a graphics tablet. Enter a value in the rightmost box, or use the Maximum slider. Pressure level uses the Minimum value for the lightest tablet pressure level and the Maximum value for the heaviest pressure. When y'all choose this setting for Diameter, the heavier the stroke, the larger the objects.

Stylus Cycle

Creates a castor that varies in diameter based on manipulation of the stylus cycle. This option is bachelor only if you have a graphics tablet that has a stylus wheel on its barrel and tin can detect input from that pen.

Tilt

Creates a castor that varies in angle, roundness, or diameter based on the tilt of a drawing stylus. It is available only if you have a graphics tablet that can detect how close to vertical the pen is.

Bearing

Creates a brush that varies in angle, roundness, or diameter based on the begetting of a drawing stylus. This option is most useful when used to command the angle of brushes. It is available only if yous have a graphics tablet that tin can notice the direction in which the pen is tilted.

Rotation

Creates a brush that varies in angle, roundness, or diameter based on how the drawing stylus pen tip is rotated. This option is nearly useful when used to control the angle of brushes. It is available simply if you take a graphics tablet that can detect this blazon of rotation.

Art brush options

Width

Adjusts the width of the fine art relative to its original width. You can specify the width using the Width option slider. The fine art brush Width popular-upwards card has pen tablet options for adjusting scale variation, such as Force per unit area, Stylus Wheel, Tilt, Bearing, and Rotation. The default art brush width is 100%.

If you utilize the Width tool on a particular Fine art castor stroke case, all the tablet information is converted to Width points. Find that in the Width drop-downward list settings, the Width Points/Profiles choice is selected.

Brush Calibration Options

Preserves proportions in scaled fine art. The options available are: Calibration Proportionately, Stretch to Fit Stroke Length, Stretch Betwixt Guides.

Direction

Determines the direction of the artwork in relation to the line. Click an arrow to set the direction: to place the left side of the art is the end of the stroke; to place the right side of the art is the terminate of the stroke; to place the top of the art is the end of the stroke; to place the lesser of the art is the end of the stroke.

Flip Forth or Flip Across

Change the orientation of the fine art in relation to the line.

Colorization

Pick a color for the stroke and method of colorization. You can select from unlike colorization methods using this drop-down list. The options are Tints, Tints and Shades, and Hue Shift.

Overlap

To avoid joins and folds of an object'south edges to overlap, y'all can select the Overlap adjustment button .

Segmented fine art castor

Segmented fine art castor is an ability to define a non-stretchable portion at the ends of an fine art brush. From the Art brush'south Brush Options dialog box, select the Stretch Between Guides option, and adapt the guides in the preview section of the dialog box.

Art Brush options — Stretch Between Guides option in the Art brush'south Brush Options dialog box

The art enclosed between the guides is the only portion of the castor that stretches or contracts to make the art brush fit the path length.

Comparing between segmented art brush and non-segmented art brush — Comparing between segmented art castor and not-segmented art brush

A. Segmented art brushB. Non segmented fine art brush

Design castor options

Scale Adjusts the size of tiles relative to their original size. Specify the scale using the Scale option slider. The Scale driblet-down listing for pattern brush tool include pen tablet options for adjusting calibration variations, such every bit Pressure, Stylus Wheel, Tilt, Bearing, and Rotation.

If you use the Width tool on a detail Pattern brush stroke example, all the tablet data is converted to Width points. Discover that in the Calibration popular-up menu for stroke options, the Width Points/Profiles option is selected.

Spacing Adjusts the infinite betwixt tiles.

Tile ButtonsLet you lot use different patterns to different parts of the path. Click a tile button for the tile you want to ascertain, and select a pattern swatch from the scroll list. Repeat to apply pattern swatches to other tiles as needed.

You must add the design tiles you lot desire to use to the Swatches console earlier yous set up pattern brush options. After you create a pattern brush, you can delete the pattern tiles from the Swatches panel if you don't programme to utilize them for additional artwork.

A. Side tileB. Outer Corner tileC. Inner Corner tileD. Start tileEastward. Cease tile

Flip Forth or Flip Across

Changes the orientation of the blueprint in relation to the line.

Fit

Determines how the pattern fits on the path: Stretch To Fit lengthens or shortens the pattern tile to fit the object. This option tin can effect in uneven tiling. Add Space To Fit adds blank space betwixt each pattern tile to apply the pattern proportionally to the path. Guess Path fits tiles to the closest guess path without irresolute the tiles. This option applies the pattern slightly inside or outside the path, rather than centered on the path, to maintain even tiling.

A. Stretch To FitB. Add together Space To FitC. Approximate Path

Colorization

Choice a color for the stroke and method of colorization. Yous can select from different colorization methods using this drib-down list. The options are Tints, Tints and Shades, and Hue Shift.

Bristle brush

Bristle castor allows you to create brush strokes with the appearance of a natural brush with bristles. With Bristle brush, you tin:

Create natural and fluid castor strokes that simulate the effects of painting with real brushes and media such equally h2o colour.
Select brushes from a predefined library or create your own brushes from the provided tip shapes such as round, flat, or fan. You tin also set other brush characteristics such as bristle length, stiffness, and paint opacity.

Different Bristle brush shapes — An illustration that uses different Bristle brush shapes and characteristics for drawing

When you use Bristle brush with a graphic tablet, Illustrator interactively tracks the movements of the stylus over the tablet. It interprets all aspects of its orientation and pressure input at any point along a drawing path. Illustrator provides the output that is modeled on the stylus'southward ten-axis position, y-axis position, force per unit area, tilt, bearing, and rotation.

A cursor annotator that simulates the tip of an bodily castor is displayed when using a tablet and stylus that support rotation. This annotator does not appear when other input devices such as a mouse are used. The annotator is also disabled while using the precise cursors.

Employ the Wacom Intuos 3 or higher tablet with Art (6D) pen to explore the full capabilities of the Bristle brush. Illustrator can interpret all 6-degrees of freedom that this device combination provides. Withal, other devices including the Wacom Grip pen and Art castor pen may not exist able to interpret some attributes such as rotation. These uninterpreted attributes are treated as constants in the resulting brush strokes.

While using a mouse, only x and y-axis movements are recorded. Other inputs, such as tilt, begetting, rotation, and pressure remain fixed resulting in even and consequent strokes.

For Bristle brush strokes, feedback is displayed when you elevate the tool. This feedback provides an gauge view of the last stroke.

Bristle castor strokes are made upwards of several overlapping, filled transparent paths. These paths, similar whatever other filled path in Illustrator, interact with the paint of other objects, including other bristle bush paths. Still, the make full for strokes does not cocky-collaborate. Therefore, layered, individual, bristle brush strokes build up and collaborate with each other, only a single stoke scrubbed back and forth in place does not interact with itself and build upwardly.

Use the Bristle brush

To utilize the Bristle brush do the following:

Create a brush definition by clicking the new brush icon or selecting New Brush from the Brushes panel carte du jour.

Select the Bristle Brush option and click OK.

In the Bristle Brush Options dialog box, specify:

Name

of the bristle castor. Maximum length of the brush name tin can be 31 characters.

Shape

Select from x unlike castor models, which provide a dissimilar drawing experience and appearance of bristle brush paths.

Size

Brush size is the diameter of the brush. Like a physical media brush, the Bristle brush diameter is measured at the point where the bristles meet the handle (the ferrule). Specify the castor size using the slider or direct inbound the size in the available text field. Range can be between 1mm and 10mm.

Brush size from the original Brush definition is displayed in Brush preview in the Brushes console.

The bracket keys, [ and ], are used as shortcuts for decreasing and increasing the size, respectively. The bracket keys increment and subtract the size in 1mm increments.

Bristle Length

The bristle length starts from the bespeak where the bristles meet the handle of the bristle tip. The length of the bristles can exist specified in the same style every bit other bristle castor options, by dragging the Bristle Length slider, or specifying the verbal value in the Bristle Length field (25% to 300%).

Bristle Density

The bristle density is the number of beard in a specified surface area of the castor cervix. You can set this attribute in the same manner equally other bristle brush options. Information technology ranges betwixt 1% and 100%, and is calculated based on the brush size and bristle length.

Bristle Thickness

The bristle thickness can vary from fine to fibroid (betwixt i% and 100%). Prepare the bristle thickness like other bristle brush settings, past dragging the slider, or specifying the thickness value in the field.

Paint Opacity

This option lets you prepare the opacity of the paint being used. The pigment opacity can vary between i% (Translucent) and 100% (opaque). The specified opacity value is the maximum opacity used in the castor. You can use the numeric keys[0-9] every bit shortcut to prepare the opacity of bristle brush strokes where:

0 = 100
i = ten%
9 = 90

In other cases, for example, if you enter 35 in succession, the opacity is set to 35%, and if yous enter 356 in succession the opacity value is prepare to 56 (last two digits). Any string of digits that ends with 00 are prepare as 100%.

Stiffness

Stiffness implies the rigidness of the bristles. If you set a depression bristle stiffness value, the bristles are flexible. They go more rigid when you lot fix a higher value. The bristle stiffness ranges between ane% and 100%.

Click OK to create the castor definition with the called settings.

With the brush tool selected, and a Bristle brush definition chosen in the Brushes panel, y'all can create artwork using the Bristle brush.

If you try to print, save, or flatten transparency in a document with more than than xxx bristle castor strokes, a warning bulletin is displayed. These warnings are displayed when you relieve, print, and flatten file content.